Six artisans, six crafts.
All bespoke, nothing mass-produced.

Branding iron

There are those who create, and those who give the ones who create a way to sign their work: Antoine is the second kind. In his workshop in the Landes, south of Bordeaux, he engraves custom branding irons, wax seals and dry stamps — your name, your crest, your initials, carved into metal with the precision of a surgeon. For Antoine, the imprint is a matter of honesty — whoever makes something with their own hands should put their name on it. The right, and the pleasure, of saying "I made this".

Agave rugs and placemats

Giovina designs rugs, with an eye trained between Milan and London and a family history that reaches deep into the textile trade of fifteenth-century Abruzzo. In 2019 she founded Tapistelar and made the choice that sets her apart: Furcraea, a rare agave fibre that is hard to work, which gives a rug a living texture and a presence you sense underfoot before you see it. She designs the geometries and the colour pairings; skilled artisans translate them on the loom, knot after knot. Every rug is bespoke: it starts from a conversation — your dimensions, your colours, your space. The placemats, instead, form a ready-made collection: the same material in an everyday format.

Fabric lampshade

Teresa builds lampshades the way they used to be built — fabric hand-stretched, impeccable structure, zero compromises. Six shapes: L'Involo, La Sfaccettata, La Sognatrice, La Ronda, L'Abbigliata, La Puntigliosa — names that are already an aesthetic manifesto. Every lampshade is custom-made in dimensions, fabric, colour. The light doesn't change — everything it illuminates does. A Teresa lampshade turns an ordinary lamp into an object worth looking at even when it's off. The kind of detail that separates a furnished house from a thoughtful one.

Hand-painted and stamped fabrics

Zazie has been drawing on fabric for twenty years, and every centimetre carries the trace of her fingers. The brush never lays down paint the same way twice, and the screen printing pulls the pattern from matrices where the hand remains hers. Fabric by the metre, placemats, cushions, tassels, wall hangings: the motifs are called Arlecchino, Raggiera, Orazio, Karakorum — names that sound like characters from a novel you would want to read. Every design is painted or printed by hand on cotton, linen or silk, with a patience that settles, quietly, into the weave.

Artistic ceramics

Manuela shapes clay as if it were a language only she speaks fluently. Vases that don't need flowers to justify their existence, centrepieces that steal the show from the food, amphorae that look like they came from a luxury archaeological dig, oil cruets that turn olive oil into a ceremonial gesture. Plates, jars, catchalls, bowls, candleholders, lamps — every piece shaped by hand, every piece different, every piece with the kind of imperfection that only someone who has worked for decades knows how to make perfect. Manuela's artistic ceramics don't decorate a room: they own it.

Glass blended with nature

Elisa lives in Colombia and designs objects in glass. It all begins with the nature around her: the impossible greens of the forest, the deep blues of the sky after rain, the ambers that look like trapped light. From there come the forms she imagines — glasses, cups, goblets, pitchers, shots, vases, spoons — thought out in the curve of a rim, the right weight, the height of a stem. Her designs then pass into the hands of the master glassblowers, who blow each piece by hand, one by one. Every object is unique and exists in a single copy in the world. Luxury, when you think about it, is exactly that.

Hand-painted and stamped fabrics

Zazie has been drawing on fabric for twenty years, and every centimetre carries the trace of her fingers. The brush never lays down paint the same way twice, and the screen printing pulls the pattern from matrices where the hand remains hers. Fabric by the metre, placemats, cushions, tassels, wall hangings: the motifs are called Arlecchino, Raggiera, Orazio, Karakorum — names that sound like characters from a novel you would want to read. Every design is painted or printed by hand on cotton, linen or silk, with a patience that settles, quietly, into the weave.